Saturday, December 28, 2013

AFI # 90.5 The Jazz Singer (1927)

#90 on 1998 AFI 100 Greatest Movies of All Time

I am sad to report that The Jazz Singer has not stood the test of time.  At least not for me.  I was so bored 30 minutes in that we had to turn it off.  Which means we didn't even get to the controversial parts.  Because we didn't watch the whole movie, we aren't going to rate it.  So, it will be added to the list as "unrated". 

Mike keeps asking me why I think that this movie hasn't stood the test of time, but that I want to watch Swing Time, which is next on the list.  And the answer is: I don't know, I haven't seen Swing Time yet.  So we'll watch it and then decide if Swing Time is also too boring.  Stay tuned...

Sunday, December 1, 2013

AFI # 91: Sophie's Choice (1982)

#91 on 2007 AFI 100 Greatest Movies of All Time


We actually watched this movie over a year ago.  And this post isn't going to be super long.  But it is no accident that this movie was the last thing we watched before taking a year long hiatus.  And it's no accident that I never added it to the blog before.  I had seen Sophie's Choice before, a couple of times.  I also had read the book in college.  Mike had not seen this movie before, but he kind of knew what the choice was going to be, because it's hard not to know just from living in our society.  But the movie is just so moving and beautiful and sad.  Kevin Kline and Meryl Streep are both so amazing.  So, we watched it, but then we didn't know how to talk about it on the internet or where to rate it on our list.  So we just never did. And all we really have to say is:

If you have never seen this movie, you need to see this movie.  

So, It's Been a Year

So, it's been a year since we worked on our AFI project.  Why?  Well, we got really busy.  We went on a big vacation, then came back and bought an apartment, then moved into the apartment.  There were other vacations and obligations and things in there as well.  But, now, a year later, we are ready to resume the AFI Project.  And I am ready to resume writing on this blog, which no one but me and Trish will ever read.  But, as I said in the first post, this is more just to give me a place to write things than something to be read by others.  So, back into it then.  The next movie on the list has been requested from the library and a new post will be up soon.

Saturday, December 22, 2012

AFI # 91.5: My Fair Lady (1964)

#91 on 1998 AFI 100 Greatest Movies of All Time

I saw this movie for the first time when I was a kid and I liked it.  There are some really great songs in this musical and wonderful set pieces.  But that's about it.  The movie as a whole makes very little sense and has no real ending.  It's not surprising that it didn't make it back on to the Top 100 list in 2007, because it really has not held up well over time.  If you think you like this movie, I challenge you to go back and watch it again, then make a list of what was good and what was bad and see what you come up with.  Because I thought I liked this movie, and then we watched it and it turns out, it was kind of terrible.  So here is my list:

Good:
The scene at Ascot
Eliza's father and his friends (especially their first song)
The costumes, mostly

Bad:
The lip synch, especially in "Get Me To The Church on Time"
Rex Harrison sing-talks all his songs
Eliza's response to everything for the first half of the movie is "EEEEAAAAAOOOOOWWWW"
All of a sudden, at 3:00am, Eliza magically learns how to speak perfectly and never falters again
They skip a few months during the course of a conversation, between Ascot and the ball
Freddie apparently stalks Eliza by hanging out on her street all the time, and then at the end of the movie, he's probably still just waiting for her in the cab; what is up with that?
There is no problem to solve and no resolution of the plot; which means there isn't an ending


So there it is.  We both put this at the bottom of our respectful lists and I have a feeling it's going to stay there.

Friday, December 14, 2012

AFI # 92: Goodfellas (1990)

#92 on 2007 AFI 100 Greatest Movies of All Time
#94 on 1998 AFI 100 Greatest Movies of All Time
#2 on AFI's Top 10 Gangster Films

What can I say about Goodfellas that you don't all already know.  It's a fantastic movie.  It has fantastic acting: Robert DeNiro, Joe Pesci, Ray Liotta.  It has fantastic writing: "I'm funny how, like I'm a clown? I amuse you?" It has a fantastic soundtrack: Cream, The Rolling Stones, The Who.
It is completely entertaining from beginning to end.  The only complaint I have is that the real-life Henry Hill was an asshole and this movie makes you kind of like him.  But that's not a very big complaint.

Mike is also a fan of the soundtrack.  And he likes the longshot through the kitchen. 

But what else is there to say? We didn't really have any discussions beyond talking about how awesome it was... for example:

[Tommy shoots Billy Batts]
Me: He's crazy.
Mike: Yeah.
Me: This movie is awesome.

Or:

[Instead of getting made, Tommy gets dead]
Me: That was crazy.
Mike: Yeah.
Me: This movie is awesome.

Actually, now that I think about it, I think that Joe Pesci is the reason that this movie is so awesome.  He did win an Oscar for this performance, and I think it was completely deserved.  Because everytime I try to think of why this movie is awesome, it always comes back to Tommy... not Henry Hill.  Although I must say that Ray Liotta is very good looking and this is probably his best ever role.  But it's really all about Tommy, isn't it?  Anyway, it's also a great performance from Robert DeNiro, although I think there are a couple better ones further up the list.

So, since this movie is so awesome, we both put it at #1 on our lists.  Which makes it #1 overall.  For the time being.  I should mention that it is #1, not just for being ambiguously awesome, but for being a well directed, well acted movie with a fantastic soundtrack that happens to be wildly entertaining.  So that's the standard...

Monday, December 3, 2012

AFI # 92.5: A Place in the Sun (1951)

#92 on 1998 AFI 100 Greatest Movies of All Time

I thought this movie was really boring.  I have never seen anything with Montgomery Clift, I thought he was fantastic.  Wasn't overly impressed with Elizabeth Taylor, I'm more looking forward to some of her other movies. I thought the trivia on IMDB was more interesting than the movie.  And I definitely want to see more Montgomery Clift movies.  But since I didn't love the movie, I will let Mike tell you what he thought...

Me: Mike, what did you think of  A Place in the Sun?
Mike: Which one was that?
Me: Where he maybe killed his girlfriend.  In the boat.
Mike: Right. Pleasantly surprising direction.  Impressed with whatshername... Elizabeth Taylor [heh].  She was better than I expected.  I liked the boat parallels to Godfather 2, twenty years later [what a guy thing to say]. 
Me: Anything else.
Mike: No.

Also, Mike looked up Montgomery Clift and regrets it.  Apparently his life was incredibly sad, so Mike has decided he does not want to see any more Montgomery Clift movies.  Mike is now telling me about Montgomery Clift's life... and it is really depressing.  But I still want to see more Montgomery Clift movies. 

Anyway, the current rankings, if you care to see them.  First, the overall, then the individuals...

  1. Do the Right Thing

2. Pulp Fiction

3. Guess Who's Coming to Dinner

4. Blade Runner

5. The Last Picture Show

6. The French Connection

7. A Place in the Sun

8. Toy Story

9. Yankee Doodle Dandy

10. Ben-Hur

Mike Sara
1 Do the Right Thing 1 Pulp Fiction
2 Guess Who's Coming to Dinner 2 Do the Right Thing
3 Pulp Fiction 3 Guess Who's Coming to Dinner
4 Blade Runner 4 The Last Picture Show
5 A Place in the Sun 5 Blade Runner
6 The French Connection 6 The French Connection
7 The Last Picture Show 7 Yankee Doodle Dandy
8 Toy Story 8 A  Place in the Sun
9 Ben-Hur 9 Toy Story
10 Yankee Doodle Dandy 10 Ben-Hur

Sunday, November 11, 2012

AFI #93: The French Connection (1971)

#93 on 2007 AFI 100 Greatest Movies of All Time
#70 on 1998 AFI 100 Greatest Movies of All Time

So... The French Connection.  It's not a movie that I would have chosen to watch, which, as I think I've said before, is part of why we are watching the AFI list... but having watched it, I can't say that I would choose to watch it again.  It's not that it was a bad movie, because it's not bad... it's just that I don't know that it really stands the test of time.  I think the first clue of that is that in 1998, this was #70, and ten years later, it had fallen to #93.  I'm interested to see what happens when they do another version of this list a few years from now. 

What about The French Connection seems so dated?  The music, mostly.  But the other thing that makes it so dated, is exactly the reason that it is so important.  And that is because it created the gritty cop drama.  Which is now on television 7 days a week.  There were many moments in the film that felt like a Law and Order episode, especially the end, where they tell you what happened to all the characters.  It also occasionally felt like other procedurals or buddy cop movies.  But this was really one of the first.  And it won some major awards, and probably deserved them.  But now, after seeing this same thing so many times, and often done better (since techniques have certainly improved since 1971), it just wasn't that interesting.  And that's kind of all we talked about while watching this movie... Except for this:

[Credits are rolling at the beginning of the film]
Mike: Hey, Roy Scheider.  This must be his other film.
Me: You  mean besides All That Jazz?
Mike: Oh... no.  I meant besides Jaws.
Me: I'm sure that there are many more.
Mike: I'm going to check IMDB....
[Watching the movie]
Mike: 92.
Me: 92 what?
Mike: That's how many things Roy Scheider was in.

So, not that exciting.  But it's all I've got.  This movie just wasn't that thought-provoking or exciting to us.  I will add that it was apparently based on a true story.  We each put it below Blade Runner on our lists, leading to a discussion of the similarities between this movie and Blade Runner.  But, ultimately, Blade Runner is a more interesting movie. Man, I hope the next movie is more interesting...


Monday, October 29, 2012

AFI # 94: Pulp Fiction (1994)

#94 on 2007 AFI 100 Greatest Movies of All Time
#95 on 1998 AFI 100 Greatest Movies of All Time
#7 on AFI's Top 10 Gangster Films

There's a hurricane outside and we are home from work, so we figured it was a good enough time to watch the next movie on the list.  Which is Pulp Fiction.  This is the first movie on the list that both of us had seen before, which shouldn't be too surprising.  We were definitely looking forward to watching it again, since neither of us had seen it in quite some time.  Which means we had forgotten a number of things about the movie.  When I think of Pulp Fiction, I think of the Royale with Cheese conversation, and the robbery at the diner.  But it's been a long time and I had definitely forgotten many things.  So, here are the things we (mostly I) had forgotten about Pulp Fiction.

1. This is a really long movie.

We got the netflix envelope and opened it up.  "Great, it's Pulp Fiction... oh my God, did you realize that this is a two and a half hour movie?  Wow."

2. The $5 milkshake.

When Vincent Vega takes Mia Wallace to Jackrabbit Slim's (the restaurant where the waitstaff dress like Marilyn Monroe, etc. and they have the twist contest), Mia orders a milkshake.  More specifically, a $5 milkshake.  They then proceed to have this whole conversation about the milkshake and how Vincent Vega can't believe she ordered such an expensive milkshake.  Now, I'm assuming that my reaction is because twenty years have passed since this movie was made, but I just didn't think $5 sounded like it was that much for a milkshake.  For the record, I also had forgotten that Steve Buscemi played the waiter dressed as Buddy Holly.

3. Eric Stoltz is in this movie.

I had forgotten about a lot of people in this movie, like Amanda Plummer and Rosanna Arquette.  I definitely forgot about Eric Stoltz as Lance, the heroin dealer who explains how to stab Mia with the needle after she ODs. 

4. The watch up the ass.

How do you forget Christopher Walken talking about having a watch up his ass?  I didn't really forget about it, I just forgot that it was in this particular movie. 

5. The briefcase.

What is in the briefcase?  There are so many answers to this question and it spawned so many pseudo-philosophical questions when I was in high school and then in college.  A lot of people think it was Marcellus Wallace's soul, and there are lots of reasons for that.  Some people think it's the loot from Reservoir Dogs.  For the record, Quentin Tarantino has said that there is no actual official explanation, that it was written in so that people would come to their own conclusions.  However, I have to share that when we started watching the movie today, I asked Mike, what do you think is in the briefcase and he said "Keyser Soze's files from the Usual Suspects".  HA!

6. Marcellus Wallace is going to get "medieval on your ass".

I forgot about that line.  I did not forget about bringing out the gimp or the wonderful scene where Bruce Willis keeps picking up larger, more dangerous weapons.  But I forgot about how Marcellus is going to get medieval on Zed's ass.  And I remember how people would often spell it "midevil", as though he was going to do something in the middle range of evil things...

Overall, we enjoyed it a great deal.  We had a lot of difficulty figuring out where to put this on our list.  So we had to come up with a new method, whereby we each keep a separate list and then average it out.  So the combined list will still appear on the side, but I am going to put each individual list here in the post.  And here they are:

MikeSara
1Do the Right Thing1Pulp Fiction
2Guess Who's Coming to Dinner2Do the Right Thing
3Pulp Fiction3Guess Who's Coming to Dinner
4Blade Runner4The Last Picture Show
5The Last Picture Show5Blade Runner
6Toy Story6Yankee Doodle Dandy
7Ben-Hur7Toy Story
8Yankee Doodle Dandy8Ben-Hur

Sunday, October 21, 2012

AFI #95: The Last Picture Show (1971)

#95 on 2007 AFI 100 Greatest Movies of All Time

So, first I will say, we took a bit of a break there in between movies.  Which is inevitable this time of year with all the fall TV starting and catching up on our TV on DVD.  Plus this is an election year, and I am an active member of my political party, which means even less time for movie watching.  So, we finally got through our backlog of TV shows and the election is almost here, so I only have  a few days of campaign volunteering left, which means it's time to get back to our list.  But let's not pretend that we are going to get through these movies quickly.  I'll be happy if we can get through all 100+ movies by the end of 2017.  By which point, there will probably be a new list to add in, and we will have to add some movies to the list.  This is not a short term project...

But, enough babble, let's talk about the movie at hand.  When we saw this movie on the list, neither of us had any idea what it was, since it was made before we were both born.  If I had to guess, I would maybe have said it was probably about Hollywood or the entertainment industry.  I also had never heard of the book it is based on, by Larry McMurtry.  Which shouldn't surprise anyone since, even though I'm pretty well read, I don't like westerns and my primary experience with Larry McMurtry is Lonesome Dove. This particular story is not a western, though.  It is instead a story about a small Texas town during the 1950s.  It was shot entirely in black and white, apparently on the advice of Orson Welles (fascinating, right!).  And it involves a surprising amount of full frontal nudity.  But there's a reason for that.  The movie industry had recently decided to abandon the Hayes Code and move to a ratings system (which we still have).  Which meant that there was a lot of nudity going on in the movies around that time.

This is also the movie that launched the careers of Cybill Shepherd and Randy Quaid.  It also resulted in acting Oscars for Ben Johnson and Cloris Leachman and a bunch of other Oscar nominations.  So, cleary, the film industry loved this movie.  Did we love this movie?  Not really.  We didn't hate it either.  But I just wonder if it has really stood the test of time.  I didn't really identify with any of the characters and I thought that the plot was sort of boring.  But the movie was watchable and the acting was good.  So, other than the nudity and the Wow! look how young Jeff Bridges is! moments, it was just kind of okay.  So, we decided to place this at the current #4 on our list, which currently looks like this:

1. Do The Right Thing (1989)
2. Guess Who's Coming to Dinner (1967)
3. Blade Runner (1982)
4. The Last Picture Show (1971)
5. Yankee Doodle Dandy (1942)
6. Toy Story (1995)
7. Ben-Hur (1959)











Sunday, August 26, 2012

AFI #96: Do The Right Thing (1989)

#96 on 2007 AFI 100 Greatest Movies of All Time

This movie came out when I was 11 and Mike was 9.  Therefore, we had each seen various portions of the movie, but couldn't actually remember the whole thing.  I wasn't particularly looking forward to it, because I often find Spike Lee movies boring (except Inside Man, which was awesome).  Mike was looking forward to it, because he likes Spike Lee more than I do.  We were both pleasantly surprised.  This was a great movie.  I'm sure that is why it is on the list, but it was really a lot better than I thought it was. 

If you don't know, Do The Right Thing is about a really hot day in Bed-Stuy, focusing on racial tensions.  What did I love about it?  Mostly that it wasn't trying to talk about a solution or about how things should be, but instead was just showing things as they are (or at least how they were in 1989).  What makes this movie great is that it throws it in your face. Here's some racism. It's ugly and uncomfortable racism.  The movie doesn't try to tell us that it's wrong, it relies on our ability to understand that calling people these words and acting this way is wrong.  It doesn't tell us what we should do, it relies on us to know what we should do.  I guess I just like that it isn't trying to preach, it's trying to illuminate.  That's what makes it successful.  Are things better today?  I have no idea.  I'm sure that there are plenty of people that would say they are not, and they may not be.  We certainly still have racism in the U.S., and with all the mass shootings lately, we have plenty of violence to go with it.  Which means that this movie is still very relevant, even though it's over 20 years old.

I would also like to point out that when we saw "a Spike Lee joint" come up on the screen, we both went "wow, this was before people knew who Spike Lee was." Which is an interesting conversation on its own, and thinking about the 80s and what we didn't know then is always fun. I will also say that there is a conversation in the film about whether Dwight Gooden or Roger Clemens is better, which I found enjoyable, considering we have the benefit of knowing what happened for each ballplayer since the movie was released. Also, there is a lot of Public Enemy going on here. When is the last time you heard Public Enemy?

And speaking of it being over 20 years old and things that have changed, this movie had some young actors, before their careers took off.  It has Samuel L. Jackson (as Sam Jackson), it was Martin Lawrence's first movie, it introduced Rosie Perez.  There's John Savage (who I love), Danny Aeillo, and Giancarlo Esposito.  Our favorite performance was certainly John Turturro.  I think we can all agree that he's one of the top 5 character actors out there, and his performance in this movie is brilliant, especially when you look at which scenes were improvised.  Now we need to watch some more movies with John Turturro.  This movie is a great example of why we are watching the movies on this list.  Because this is not something we would have chosen on our own, but we enjoyed it immensely and it was definitely worth seeing.  For now, it will be taking over the top spot on our list.